I know I promised this post several days ago, but with earthquakes, typhoons, train delays, busy markets, and regional strategy meetings I was a bit more busy this week than I anticipated. Sorry! You may have noticed that Tokyo experienced three large earthquakes in just a few days. The first one I didn’t feel at all because I was on a train. The second quake ripped me out of a sound sleep at 5 am – I was not happy. And the third one hit while I was at work. My office is on the 9th floor of our building. Making buildings that can withstand earthquakes means making buildings that sway when a quake hits – if the building is rigid, the shaking will cause structural damage, sometimes to the p0int of building collapse. So riding out a good-sized earthquake while on the 9th floor is definitely…interesting. I have been in many earthquakes before, both in Japan and in the US, but that was one of the more unsettling experiences. Anyway, on to the post I promised!
So on Sunday we realized that the festival wasn’t going well for us and that we should try to have some fun instead of stressing out about things. We packed up the shop and just enjoyed ourselves. I mean, it was a festival at a castle. Does it get much better than that?
Ueda castle was built in 1583 – when you think about what it means for something to be “old” in the US and then compare it to something like this you realize we have very little concept of what it means when a building is old. There were some battles and some politics, which you can read about here, but the long and the short of it is that it was razed to the ground and rebuilt in 1622. Most of the walls and towers of the castle visible today are from 1622. Why is this significant, you ask? Well, a lot of historical sites are reconstructions of castles and homes that were destroyed at one point or another and rebuilt in modern times. Ueda Castle isn’t one of those sites.

Tepee stage with castle tower in the background.

The largest stage.
There were three stages at the festival – two of them inside the original walls behind the gate in the picture. One of them was set up inside a tepee. Seriously. The other one was small and hosted mostly DJs for the weekend. The third and largest was at the base of the castle wall. You can’t see it in the picture of the entrance, but the castle is at the top of a hill. To the left of the gate things drop off pretty steeply to a grassy field where the largest stage was set up. People wandered freely from stage to stage as the performers changed, stopping at booths to shop and snack along the way. Shop owners from all over the Nagano area and Tokyo set up booths offering handcrafted items made of organic materials. A lot of the food was organic, most of it was locally grown.


Several artists were also creating new works during the weekend on enormous canvases set up along the major pathways around the castle. It was actually really interesting to watch them as they worked. I have never really been able to draw or do anything freehand like this, so watching someone fearlessly take a brush to canvas simply boggles the mind. The second painting was definitely our favorite – a pagoda, a train, a Buddha, and a taiko drummer – fantastic. Interesting fact for you – the hotel room we stayed in had a Bible by the bed. It wasn’t placed by the Gideons, but it was there nonetheless. It was right next to a book on Buddhist teachings. Definitely made me smile.


I also saw some unbelievable crochet while I was there. The first was a free-form wall hanging made of countless different yarns – forgive the poor photo, I took it in their booth which had a red awning. The girls running this booth run a boutique in an area of Tokyo known for its bohemian style – it also happens to be an area of Tokyo very near the Kaizer Kasa. One of the girls does all the crochet and she makes some of the most adorable hats, bags, and headbands I’ve ever seen. I have always been really impressed by crochet, mostly because it is the only medium I have tried but have not really been able to get the hang of. I think it’s because it’s a little too free-form for me. I do better with a bit of structure, and having a large piece of crocheted cloth with only a tiny little hook in it just never seems to work out well. Knitting, on the other hand, has the additional structure I need to really feel confident in myself. Speaking of confidence, I would never have the guts to wear something as outrageous as the crocheted vest I saw on one of the festival-goers. (When it comes to my clothing I am depressingly conservative and spend most of my time wishing I could be more daring.) I spotted her in the crowd and immediately pulled out my camera, but I was only able to get one shot before she disappeared. It was by far the best summer crochet/knit project I saw all weekend and perhaps the best one I have ever seen, period.
When it was all said and done, Ueda Joint would be a fun festival to attend again in the future, but I don’t think we’ll be having a booth again for a long while.
May life continue to inspire you,
Miss Kaizer